Abstract
The aim of this paper is to take some steps towards a renewed understanding of landscape and the gazing subject. A first main section, ‘Depth, outlines Merleau-Ponty's final visual philosophy and its attempts to replace a spectatorial conception of vision with an embodied ontology that accords transcendance to the depth of the visual world. A second section, ‘fold’, engages with Deleuze's rendition of Leibniz's philosophy as a means of both critiquing and supplementing Merleau-Ponty's account. Through these analyses I seek to rewrite the visual gaze upon landscape by exploring the ontological processes (processes of
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