Abstract
Yuri Herrera’s novel Trabajos del reino depicts the nation-within-a-nation constructed by a drug trafficker called “the King” in a fictional city much like northern Mexico’s Ciudad Juárez. The Kingdom it describes creates the possibility of a political identity for the dispossessed and is reminiscent of what Hobsbawm has identified as social banditry, positioned between the people and the state and replacing the latter. The narco is not only a drug dealer but a guarantor of social order—an outlaw in almost all his manifestations but occasionally also a source of law. While the drug cartel violates the social contract implicitly assumed by the state, the state breaks that contract in its treatment of dispossessed communities. Failure to recognize the similarities between the state and its bandit counterpart prevents the creation of a stable environment that can offer peace to its citizens.
La novela
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