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Abstract

The Danish cartoon crisis, which attracted international media attention in 2006, has largely been debated as an issue of freedom of speech, feeding into broader debates about the ‘clash of civilizations’. This article aims to explore the dominant discourses that performed a seemingly stable and consistent Danish identity at the domestic and external levels. Domestically, the discourse of a progressive Danish identity under threat from unmodern others was performed via discourses of a ‘culture struggle’ and a restrictive immigration policy designed to keep intact a narrow definition of Danishness. Externally, Danish identity and security was performed and defended via participation in the ‘war on terror’, democracy promotion and overseas development assistance, which became tools that were not simply associated with security in the liberal sense but also contained a spatial dimension designed to keep consistent the image of the complete nation-state. By adopting a discursive approach, the article aims to explore the performance of Danish identity that animated the cartoon crisis in order to highlight the complexities and contestations that animate ideas of self.

Keywords

identity security Denmark cartoon crisis discourse performance intervention foreign policy

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