Abstract
Using poetry, performative ethnography, narrative, and senses of home and heart, I engage Butler, Foucault, Baudrillard, Derrida, Marx, Deleuze, Bhabha, and others, and find myself troubling liminality and the easy answers it affords. Through stories of family and teaching high school English, I move from small town to classroom to the academy to expose contradictory and complementary versions of me at various points in time and space. I play with my hair and read Japanese poetry as I write to please an amorphous you, a you who never appears but prefaces everything I have ever had to say.
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