Analyzing global complexity demands for a sensitive perspective on power and hierarchies. This article is an inquiry on how post-human theories can contribute to analytical methodological tools with the aim of emphasizing nuances, differences and marginalized local, national and global strings of musical affiliation.
AgawuK. (2003). Representing African music: Postcolonial notes, queries, positions. New York, NY: Routledge.
2.
AppaduraiA. (1990). Disjuncture and difference in the global cultural economy. In FeatherstoneM. (Ed.), Global culture (pp. 363-365). London, England: Sage.
3.
AskerøiE. (2013). Reading pop production: Sonic markers and musical identity (Doctoral thesis). University of Agder, Kristiansand, Norway.
4.
BowmanR. (2003). The determining role of performance in the articulation of meaning. In MooreA. F. (Ed.), Analyzing popular music (pp. 103-130). Cambridge, UK: Cambridge University Press.
5.
Brøvig-HansenR. (2010). Opaque mediation: The cut-and-paste groove in DJ Food’s “Break.” In DanielsenA. (Ed.), Musical rhythm in the age of digital reproduction (pp. 159-175). Farnham, UK: Ashgate.
6.
ButlerJ. (1990). Gender trouble: Feminism and the subversion of identity. New York, NY: Routledge.
7.
ColmanF. J. (2010). Rhizome. In ParrA. (Ed.), The Deleuze dictionary (pp. 232-235). Edinburgh, Scotland: Edinburgh University Press.
8.
de BeauvoirS. (2000). Det annet kjønn (reprint Bokkluben Dagens Bøker ed.) [The Second Sex]. Oslo, Norway: Pax.
9.
DeleuzeG.GuattariF. (2005). Tusind Plateauer: kapitalisme og skizofreni [A Thousand Plateaus. Capitalism and Schizophrenia] (N. Lyngsø, overs.). København, Denmark: Det kongelige danske kunstakademis billedkunstskoler.
10.
DerridaJ. (1988). Limited Inc. Evanston, IL: Northwestern University Press.
11.
EinsteinA.GrønØ. (2000). Relativitetsteorien: en populærfremstilling; og Selvbiografiske notater [The Theory of Relativity: A popular sciences production; and Autobiographical notes]. Oslo, Norway: Bokklubben dagens bøker.
12.
EllingsenA. (2007). Music and ethnic integration in Norwegian state policies. Oslo, Norway: University of Oslo.
13.
HabermasJ. (1998). On the pragmatics of communication. Cambridge, MA: MIT Press.
14.
HansenH. (2010). Fluktlinjer (Doktorgradsavhandling) [Lines of flight]. Universitetet i Tromsø, Norway.
15.
HovdeS. S. (2013). Global musicking: Om innvandring og den farlige forskjelligheten (Doctoral these) [Global Musicking: On immigration and the dangerous difference]. Norges teknisk-naturvitenskaplige universitet, Trondheim.
16.
IrwinR. L. (2013). Becoming A/r/tography. Studies in Art Education, 54, 198-215.
17.
IrwinR. L.de CossonA. (Eds.). (2004). A/r/tography: Rendering self through arts-based living inquiry. Vancouver, British Columbia, Canada: Paci c Educational Press.
18.
LatourB. (2005). En ny sociologi for et nyt samfund (C. B. Østergaard, overs.) [Reassembling the Social. An Introduction to Actor-Network-Theory]. København, Denmark: Akademisk Forlag.
19.
MiddletonR. (1990). Studying popular music. Milton Keynes, UK: Open University Press.
20.
PollockM. (2005). Race bending: “Mixed” youth practicing strategic racialization in California. In MairaS.SoepE. (Eds.), Youthscape (pp. 43-63). Philadelphia: University of Pennsylvania Press.
21.
RoseT. (1994). Black noise: Rap music and black culture in contemporary America. Hanover, NH: Wesleyan University Press.
22.
SetrengS. K. (2001). Mangfold og tid: pyramide-mennesket ved skillevegen: system, frihet eller kaos? [Diversity and time: The Pyramide-Human at a partition: system, freedom or chaos?]. Trondheim, Norway: Tapir Akademisk Forlag.
23.
ShawW. (2001). Westside: The coast to coast explosion of hip hop. Cooper Square Press.
24.
TaylorT. D. (2007). Beyond exoticism: Western music and the world. Durham: Duke University Press.
25.
WalserR. (1993). Running with the Devil: power, gender and madness in heavy metal music. Hanover: University Press of New England.
26.
WittgensteinL. (2003). Filosofiske undersøkelser [Philosophical inquiry]. Oslo, Norway: De norske bokklubbene.