This article takes one representation of male homo-sexuality in Spain - the
‘fairy’ (or marica as he was often termed at the
time)1 - in order to assess its importance with respect to framing other
expressions of homosexuality and masculinity in general in the years 1850-1930. The
argument here, following the work of George Chauncey with respect to New York gay
sub-cultures, is that the effeminate form of homosexuality, as discursive
representation and actual lived experience, can be viewed by the historian as a kind
of benchmark by which many other forms of homosexuality were considered in the major
Spanish cities by the 1920s.
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