The author examines the past, present and future of machinima, hereby defined as an art form in transition. Although both socially and culturally embedded in gaming cultures, machinima could expand well beyond gaming, as it represents a successful example of convergence of filmmaking, animation and games development. Although the medium has a strong artistic potential, the future trajectory of machinima will remain indelibly tied to games development, reflecting gaming and internet cultures. The author predicts that machinima will further evolve in line with developing curatorial expertise in its presentation to wider audiences and positioning within the digital arts movement.
Gombrich, E.H. ( 1963) Meditations on a Hobby Horse. London : Phaidon.
4.
Harwood, T. and Garry, T.(2009) ‘Infiltrating an e-Tribe: Marketing within the Machinima [Computerized Games] Community’, Journal of Customer Behaviour8(1): 47-83.
5.
Panofsky, E. ( 1962) Studies in Iconology. New York: Harper & Row.
6.
Rooster Teeth Productions (2010) Red vs. Blue. URL (consulted Feb. 2010): http://redvsblue.com/archive/
7.
Scaff, J.H. ( 2010) ‘Art and Authenticity in the Age of Digital Reproduction’ . URL (consulted Feb. 2010): http://www.digitalartsinstitute.org/scaff/index.html
8.
Shanken, E.A. ( 2007) ‘Historicizing Art and Technology: Forging a Method and Firing a Canon’, in O. Grau (ed.) MediaArtHistories, pp. 43-70. Cambridge, MA : MIT Press.
9.
Summers, D. ( 1991) ‘Real Metaphor: Towards a Redefinition of the Conceptual Image’, in N. Bryson et al. (eds) Visual Theory, Painting and Interpretation, pp. 231-59. New York: Icon.
10.
Svankmajer, J. ( 2010) URL (consulted Feb. 2010): http://www.jansvankmajer.com/
11.
Voom, L. ( 2010) Push. URL (consulted Feb. 2010): http://www.voom-machine.com/
12.
Winget, M. ( 2009) ‘Describing Art: An Alternative Approach to Subject Access and Interpretation’, Journal of Documentation65(6): 958-76.
