This article examines the impact of mobile smartphone culture on TV narrative through an examination of the network series The Good Wife (TGW; CBS, 2009–2016). Ubiquitous smartphone use proffers a managerial relationship between subject and device, such that smartphone culture becomes necessary for navigating between different spheres of life. Furthermore, as smartphones occupy a greater role in public life, they have also begun to shape the creation of story in media narratives. I argue that smartphones have become a tool of narrative management for network drama not unlike the ways in which they govern everyday life. TGW’s narrative form and genre—a unique negotiation between episodic procedural and serial melodrama—successfully mirror the management of routine informational and emotional flows, structuring narrative and spectatorial habits while also accommodating for technology’s glitches.
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