BarkerAlex. 2012. “Provenience, Provenance, and Context(s).” In The Future of Our Pasts: Ethical Implications of Collecting Antiquities in the Twenty-First Century, edited by AdlerMichael A.BruningSusan B., 19–30. Santa Fe, NM: School for Advanced Research Press.
2.
ChildsS. TerryWarnerMark S.2019. Using and Curating Archaeological Collections. Washington, DC: Society for American Archaeology Press.
3.
GoffSheila. 2019. “Care, Access, and Use: How NAGPRA Has Impacted Collections Management.” In Using and Curating Archaeological Collections, edited by ChildsS. TerryWarnerMark S., 27–37. Washington, DC: Society for American Archaeology Press.
KarrelsNancy. 2014. “Renewing Nazi-Era Provenance Research Efforts: Case Studies and Recommendations.” Museum Management and Curatorship29 (4): 297–310.
6.
MallonMacKenzie. 2016. “A Refuge From War: The Nelson-Atkins Museum of Art and the Evacuation of Art to the Midwest During World War II.” Getty Research Journal8: 147–60. https://doi.org/10.1086/685920.
7.
NellerAngela. 2019. “Tribal Voices on Archaeological Collections.” In Using and Curating Archaeological Collections, edited by ChildsS. TerryWarnerMark S., 15–25. Washington, DC: Society for American Archaeology Press.
8.
MiloschJane C.PearceNick. 2020. Collecting and Provenance: A Multidisciplinary Approach. Lanham, MD: Rowman & Littlefield.
9.
MiloschJaneNicholasLynn H.FontanellaMegan M.2014. “Focus Issue: Provenance Research in American Institutions.” Collections: A Journal for Museum and Archives Professionals10 (3): 245–359.
10.
SullivanLynne P.ChildsS. Terry. 2003. Curating Archaeological Collections: From the Field to the Repository. Walnut Creek, CA: AltaMira Press.